Outward Bound from Corio Bay - Geelong - Oil and ink on canvas 100 x 100 cm
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Born in Trieste, Italy, artist Gianfranco (John) Gambardella draws from his Italian artistic heritage. Based in Melbourne, Australia, he is predominately a self-taught artist and a realist by nature. Gambardella is inspired by places that surround him or visits in his travels. His love of structure and colour is evident in his reach art palette, using various techniques to create enigmatic compositions in his search for new methods of expression.


Throughout his life, Gambardella has always continued to keep interest and self-development in fine art. Over time, he has been privileged to have exhibited at various notable art awards and exhibitions nationally and internationally. Most recently, Gambardella was the recipient of aMasters Art Award from ArtTour International Inc., which is to be presented in Florence, Italy, 2020, and the Winner Certificate for the Artavita Online Art Contest (New York City, USA), 2020.

Marine Moments in Abstract Harmony: The Docklands Series by Gianfranco (John) Gambardella

Gianfranco (John) Gambardella, an Italian-born artist who migrated to Australia in 1954, embodies a lifelong journey of balancing the demands of a professional career with an enduring passion for art. From a young age, Gambardella was captivated by the creative process, encouraged by his father to nurture his artistic inclinations. Although initially sidetracked by a career in accountancy, Gambardella’s return to full-time painting in 2005 marked a significant turning point, allowing him to cultivate a unique style that blends traditional realism with abstract impressionism. He is a Fellow of the Australian Society of Marine Artists and has earned respect across global art circles, showcasing his work in notable exhibitions and receiving various accolades.


Gambardella’s recent series, which includes “Awaiting Clearance” and “Sunset at Melbourne Docklands,” highlights his focus on capturing industrial landscapes, specifically marine and dockside scenes, in an abstract yet evocative manner. His fascination with waterscapes and architecture, combined with his explorations in two-dimensional art, creates a bridge between tangible subjects and imaginative expressions. His work often features vibrant colors and geometric overlays, which imbue his marine-themed paintings with a dynamic energy and visual depth, setting him apart in his field. These compositions resonate with an appreciation for Australia’s coastal industrial landscapes, reflecting both personal observation and artistic innovation.


In this series, Gambardella’s mastery of light and color creates a visual symphony that transforms familiar industrial structures into scenes of abstract beauty. “Awaiting Clearance” captures the silhouette of dock cranes against an atmospheric sunset, with angular color blocks that bring a surreal quality to the scene. “Sunset at Melbourne Docklands” takes a similar approach, using intersecting lines and rich hues of blue and orange to convey a sense of movement and contrast, inviting viewers to see these mechanical structures through an imaginative lens. The geometric fragmentation of the background hints at Cubist influences, while the meticulous detail in his silhouettes reveals his commitment to realism, balancing abstraction and form seamlessly.


Gambardella’s works are not merely depictions of docklands but are poetic interpretations of the industrial environment, conveying both strength and tranquility. His artistic vision brings a new appreciation for marine landscapes, making his work relevant not only within the realm of marine art but also within contemporary abstraction. Gambardella’s ability to harmonize realism with abstract form elevates his work, creating a striking visual impact that resonates with audiences globally. His Docklands series embodies his artistic journey and dedication to redefining the boundaries of marine art, capturing both the monumental and the intimate aspects of these landscapes in a style that is distinctly his own.

Art Review by Circle Foundation for the Arts