Forest Series Blue Moon, Oil & Cold Wax, 61 x 61 cm, $2000
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Kathy McKnight is a Canadian artist who splits her time between Halfmoon Bay, BC, and Northern California. Originally trained in landscape photography, she discovered a new visual language in painting. Kathy works as an abstract impressionist, using oil and cold wax to create layers and textures that mirror the natural world’s shapes and colors. Her plein air practice and landscape photography directly inspire her larger-scale paintings, where she captures the spiritual and emotional connections she experiences in nature.
Kathy McKnight: Capturing the Soul of Nature Through Abstract Expression

Canadian artist Kathy McKnight has carved a unique path from her roots in landscape photography to a celebrated career as an abstract impressionist painter. Born in Vancouver, she now divides her time between Halfmoon Bay, British Columbia, and Northern California. Her transition from capturing landscapes with a camera to rendering them in paint has allowed her to explore a deeper, more intimate language of expression. Her educational background and personal connection with nature are evident in each piece, as she layers oil and cold wax to reveal the spirit of the environments she immerses herself in.


McKnight’s art delves into the organic beauty and complexity of nature. Inspired by her plein air practice and landscape photography, her works feature vibrant, textured layers created with oil and cold wax, a medium that offers her the ability to build translucency and depth. This layering process is key to her style, inviting viewers to experience the emotional resonance of nature through richly layered compositions that seem to breathe with life. McKnight’s work, showcased in series like the “Evergreen” and “Forest” collections, embodies her affinity for natural shapes and her exploration of color as a means to evoke the wild vitality of forests and landscapes.


Analyzing McKnight’s art, one can see echoes of early abstract impressionists and the naturalistic focus of the Hudson River School, though she diverges in her focus on abstraction over representation. Her bold use of color and texture suggests a lineage tracing back to artists like Joan Mitchell, whose work also sought to encapsulate the raw essence of nature rather than depict it realistically. The intricate layers in McKnight’s pieces draw viewers in, evoking a sense of timelessness and quiet introspection, akin to Mark Rothko’s contemplative color fields but with a more tactile, organic approach.


What sets Kathy McKnight apart is her deeply intuitive process, which captures not just the appearance but the experience of nature. Her work bridges the gap between visual and sensory perception, as layers of color and texture invite tactile engagement. McKnight’s art resonates with a sense of calm and wonder, presenting nature as a multi-layered narrative that unfolds with each viewing. Her work is an invitation to pause, reflect, and connect, revealing the stories held within the earth’s landscapes through the language of abstraction.

Art Review by Circle Foundation for the Arts