I have been taking photos since 2015 as a hobby. Starting with an entry level Pentax digital SLR, I was keen to learn as much as I could about this fascinating hobby. While on secondment in Calgary, I found an evening class at the University of Calgary "Introduction to Digital Photography". In addition to the technical details of aperture, ISO, shutter speed, white balance and so on, the instructor gave some very sound advice on composition and overall approach. To make sure we properly understood the technical details, he insisted we shoot only on Manual settings. Only auto-focus was allowed. It would be several years before I discovered aperture priority; my camera dial was welded to M. He also taught us about the "rule" of thirds. "You're not a sniper in the army! You don't need to hit your subject dead center." Some other key advice was to take many variations of a given scene: portrait orientation, landscape orientation, try a slower shutter speed, try a faster shutter speed, and so on. With digital photos you can take essentially unlimited exposures, so why not shoot lots! To this day, I still abide by that advice.
A few months after that class, I was fortunate enough to take a trip to Iceland to capture the fantastic scenery. They're not exaggerating when they say that the whole island is full of volcanoes, glaciers, and waterfalls. A photographer's dream! Since that first trip, I have been taking pictures of the scenery around me in Sherwood Park and Edmonton as well as further afield to the Rocky Mountains in Alberta and British Columbia.
A few months after that class, I was fortunate enough to take a trip to Iceland to capture the fantastic scenery. They're not exaggerating when they say that the whole island is full of volcanoes, glaciers, and waterfalls. A photographer's dream! Since that first trip, I have been taking pictures of the scenery around me in Sherwood Park and Edmonton as well as further afield to the Rocky Mountains in Alberta and British Columbia.
See More Art by Brian Rose Photography
This review was published by Circle Foundation for the Arts © CFA Press ∙Images are courtesy of the artist